She-e Wu has appeared as a solo artist at Bach Symposium/Bach Variation Festival in Lincoln Center; Jouournées de la Percussion, NancyPhony Festival, perKumania festival, and PercuPassion Festival in France; Taiwan Connection concert at Alice Tully Hall, Lincoln Center; International Percussion Festival and InterAmerican Music and Arts Festival Orchestra in Puerto Rico; Festival Internacional de Percusion “Ritmo Vital 2001” and National Percussion Convention in Spain; Fukui Marimba Seminar in Japan; Seoul Percussion Festival in South Korea, Giornate della Percussione in Italy; Percussion Festival in Greece; The Majaoja Percussion Competition and Festival in Finland; Groove Alentejo Festival in Portugal; Taipei International Percussion Convention, and many other festivals. She has performed with Chicago Symphony Orchestra in Carnegie Hall and Symphony Center, Chicago Chamber Musicians, and Philadelphia Orchestra Chamber Music Series in Pearlman Hall at Kimmel Center, and Percussive Arts Society International Convention. Ms. Wu has also performed as guest recitalist and clinician at universities, colleges, conservatories throughout the United States, Europe, and Asia. In 2017, She-e premiered two works — “Imaginary Day”, Duo Percussion Concerto with Chris Deviney by Pat Metheny with the Philadelphia Orchestra in Philadelphia and Saratoga Spring and “The Partials of Color” by Tim Ferchen with Osuma Ensemble in Finland.
Ms. Wu has commissioned and premiered works by Paul Lansky, Lee Hyla, Dafnis Prieto, Eric Ewazen, Ronald Caltabiano, Robin Engelman, Gerald Chenoweth, and many others.
Ms. Wu’s compositions include: “Blue Identity”, written for the Paris Conservatory CNR percussion ensemble, premiered in Paris; “K-PAX”, commissioned by the Taipei International Percussion Convention, and premiered in Taiwan and Japan; “UP!”, commissioned and premiered by Spring High School Percussion Ensemble at The Midwest Clinic in Chicago; “What the sun would say to the sky”, was premiered at Percussive Arts Society International Convention, and “Monologue” premiered and commissioned by Tom Sherwood for the 10th Modern Snare Drum Competition. Ms. Wu has served as a jury member for percussion competitions in France, Greece, Italy, Finland, Japan, Russia, Portugal, and throughout U.S.
Ms. Wu’s recordings include Marimba Concerto by Eric Ewazen with the International Sejong Soloists, solo marimba CD Snapshot, Suite for Marimba and Flute by Alec Wilder with Flautist Bart Feller, A set of Songs and Dances by Doug Hill with Gail Williams (French Horn) , and a chamber music recording with American Brass Quintet of music by David Sampson. Her new recording with Osuma Ensemble (Tampere, Finland) will be released in 2018 on Alba records.
Ms. Wu is a clinician and a recitalist for the Majestic, Mapex, Innovative Percussion, Zildjian, and Remo companies. Ms. Wu plays the “Reflection” series concert marimba designed by Majestic exclusively, and her signature mallets with Innovative Percussion are available worldwide. Ms. Wu is Associate Professor of Music and the Head of Percussion program at Northwestern University. Ms. Wu is also a frequent guest artist teacher at the Royal College of Music in London, and a consultant at the Manhattan School of Music in New York City.